Patrick Conway

Over four months, I produced all the Mike Tyson portions of Netflix’s three-part limited series in the lead-up to his fight with Jake Paul in November of 2024.

Edited and developed stylized branding for pitch teaser sizzle reel

Independently developed golf + business reality series for which I secured a co-production partnership with RedBird IMI and FOS Studios. Now in sponsorship conversation with ZipRecruiter, Monday.com, and other brands.

Oversaw 20+ branded social media spots featuring D1 college basketball players for Publicis clients Starbucks and DICK’s Sporting Goods. Responsible for delivering on client creative, working with university officials to organize shoots in small windows, direcing crew and athletes with client present, executing client notes in post-production to final delivery.

I found the story, produced and edited a proof-of-concept sales reel, and served as Executive Producer on a four-part limited series for HBO following two sisters-in-law in the DC area working with families of young missing Black women

For director Sam Wrench’s (Taylor Swift: Eras Tour) production company, Next of Kin, I produced and edited sizzle reel with original interviews and archival for a pop culture/true-crime feature-length film

I developed this forthcoming six-part documentary series by conceptualizing and producing a one-day shoot with the talent, writing voiceover and editing the footage for a proof-of-concept sales reel, now in pre-production at CNN.

I found the filmmakers who had optioned the Jeanne Theoharis’ non-fiction book of the same title, produced and edited a proof-of-concept sales reel and deck, then served as Executive Producer of the feature-length documentary film for Peacock.

Led the creative approach and production of all pitch material for Suzanne Somers biopic. Worked with family to digitize 40+ years of home video archival, found and organized tens of hours of publicly-available archive, then wrote, produced, and edited sales reel. 

Developed, secured independent financing, produced and directed feature-length investigative film (still in production and FOIA litigation) about a Cold War-era US Army biological weapons testing program which, through an unexpected partnership with the Seventh-day Adventist Church, used over 2,300 drafted parishioners as human guinea pigs from 1955-’73. The film follows a group in their search for answers.